Acting for Film & TV
Thursdays, 7-9pm | Download Zoom
July 2nd – Aug 20th | $209 (+GST) | Instructor: Joe McCoy
Choose your dates from the menu below and hit PAY WITH PAYPAL
We do not offer refunds, partial refunds or make-up classes.
|This is the place to make your start!|
Jump into something exciting as you learn the basics of acting, the art’s language, and how to read — between the lines. Explore what lies beneath the surface. The concept of authenticity, and the quality of being present. Lots of material is covered in this 16-hour beginner’s course — all in a safe, entertaining, and often hilarious environment. Come prepared to work and be rewarded with a fun and thought-provoking experience.
Whether you’re starting your training to act on camera as a professional, or just for a new adventure, this exciting intro class is the perfect place to begin!
Please note that part-time studies do not constitute career training.
PAY FOR INTRO TO ACTING FOR FILM & TV
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WE ARE ONLINE!
Acting schools everywhere are switching to online learning while we ride out the pandemic together. It was a little daunting at first but we soon learned the demand and desire for this work is unrelenting. Actors want to continue training.
Stay connected. Download the ZOOM app (free) and join us for evening classes and weekend workshops. See you in the virtual academy. Remember, it’s more important than ever to stay connected and stay healthy.
This too shall pass!
Benefits of Online Acting Classes
“With everything that our world is facing now with coronavirus, we find ourselves in unprecedented times. It’s also true that great art is created in scary times. We don’t have to shut down our creativity and let cabin fever set in. It’s important to keep engaging with other artists and interactive classes on the internet are a great way to do so!” – Backstage.com
Scene Study, Meisner Approach, Acting for Film and TV
“Sometimes people arrive here not respecting themselves, but that doesn’t last long. [chuckles] I think in-depth training re-humanizes us. There are as many acting languages as there are actors. I find that developing a common language with each actor is key, but even before that to establish the aesthetic of reverence for this work is vital. Then of course, we are irreverent with each other, which keeps people from getting too stuck on themselves. We are continually challenged to get out of our own way. I’m just a doorman, really. I show them the door, but they walk through by themselves.” — Joe McCoy
“Joe helped me succeed in some of my earliest auditions. He believed in me… and this helped me to believe in myself. I loved working with him because he was honest and got right to the point. Thank you Joe for being a great mentor and coach; your help is why I am where I am today.”
IMDB:Dylan Schmid – “Once Upon a Time,” “Falling Skies,” “Horns” with Daniel Radcliffe
“Any person looking to embark on a career as an actor would do well to study with Joe. He has the ability to understand and engage with actors in pragmatic language. He is able to shape each individual actor by holding them accountable to the work, while coaxing the best of who they are to come out and play in a safe environment. He is able to do this with a profound respect and love that very few acting coaches have. The knowledge that Joe passed on to me provided me with a strong foundation as an actor. To this day, any discovery I make in this art form has the fingerprints of Joe’s guidance and coaching.”
IMDB:Warren Chow – “Cosmopolis,” “Crash and Burn,” “The Listener”
“Joe is without question the finest teacher I have had… His way of teaching can be intensely personal, but never invasive. How does he do that? I think I speak for all of us when I say that working with him has been a profoundly transformational experience. Thank you, Joe.”
Jamie Nesbitt – multi award-winning theatre artist, Vancouver
Film & TV (selected roles)
- Davinci’s Inquest (Brad Turner) – CBC
- The Keeper (Paul Lynch) – Peace Arch Films
- Lola (Carl Bessai) – Telefim Canada
- The Land of the Blind (Andrew Struthers) – Fourth Eye Films
- The Dead Zone (Ellie Kanner) – Lionsgate Films
- Urban Myths by John Edwards
Stage (selected roles)
- Heathen Valley by Romulus Linney (Harlan)
- 12th Night by William Shakespeare (Malvolio)
- American Buffalo by David Mamet (Teach)
- Hot L Baltimore by Lanford Wilson
- Brilliant Traces by Cindy Lou Johnson (Henry)
- Shivaree by William Mastrosimone (Chandler)
- En Piece Detaches by Michelle Trembley (Henri)
- Private Lives by Noel Coward (Gary)
- The Woolgatherer by William Mastrosimone (Cliff)
- Bury the Dead by Irwin Shaw (Driscoll)
- Born Yesterday by Garson Kanin (Paul)
- The Swan by Elizabeth Egloff
- A Perfect Ganesh by Terrence McNally
- Wrong Turn at Lungfish by Lowell Ganz
- Picasso at the Lapin Agile by Steve Martin
- The Memory of Water by Shelagh Stephenson
- Social Security by Andrew Bergman
- Crimes of the Heart by
- The Woolgatherer by William Mastrosimone
- Little Voice by Jim Cartwright
- Agnes of God by John Peilmeier
- Little Shop of Horrors by Howard Ashman
- Extremities by William Mastrosimone
- Central Park West by Woody Allen
- Hotline by Elaine May
- An Interview by David Mamet
- Cascadia with Jim Knox